![]() These beauties were originally printed on both sides and came in their own estouche. This print depicts 50 hits that were originally issued circa 1982. One of the very first full color print, perfed pieces. This print depicts 44 hits that were originally issued circa 1976. ![]() This photographic print depicts a full sheet that was originally issued circa 1992. These early four ways tried to appropriate the properties of the popular fire-cracker brand along with their logo. ![]() This print depicts a four-way hit that was originally issued circa 1981. Following the King Tut show this was probably the most popular of the Egyptian revival pieces. This print depicts a four-way hit that was originally issued circa 1982. This enigmatic character was widely distributed throughout the U.S. This print depicts a single hit that was originally issued circa 1990. Although This print had an immense run it is rare to see a whole sheet…flaws and all! This print depicts 520 hits that were originally issued circa 1987. They are, says Mark, who earned a Masters of Fine Art from UC Davis, “examples of true American folk art, like whittling.” The art is broadly two-fold: graphics and visions of the sort of thing you see after ingesting LSD. So now the framed sheets (part of an archive of more than 33,000 sheets and individual tabs), and Mark’s “Institute of Illegal Images” – “the most comprehensive collection of decorated LSD blotter paper in the world” – can be viewed by art buffs, former heads and anyone who wants to see objects that came to define an era. Mark McCloud did as anyone of vision might: he began buying loads of blotters, sheets of paper infused with LSD, for consumption.Įventually his San Francisco home filled with thousands of LSD tabs. On Octo(aka ‘The Day of the Beast’ in psychedelic circles) California banned the possession of LSD.
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